Sunday, 23 February 2014

Isobel Moore Photography Branding // Logo Development

From last session I received the feedback that this design below was her favorite design and to take this away and develop the style into a serif version, but also there are areas I am not happy with, like the way I will display both 'photography' and the way the 'I'm' looks within the circle.

I used the same font used above with is Arvil Sans and played around with adding different sized serifs onto the letter to see if I can create anything which follows a similar shape but highlights her more traditional, delicate photography personality.







I then tried to adjust the width of some of the stems and the shoulder of the m to make it more of a traditional serif M, However at this point I quite liked this idea and continued with it further, and in hindsight, I don't actually liek it anymore and don't think it suits Isobel at all but never mind. I wasted a bit of time but it hasn't effected my progress in the long run of this project



As originally Isobel commented on the fact she liked the thin type rather than thicker, I chose the one above to continue with, however the 2 design below I have adjusted the Height of the caps and also tried an italicised version, but at the minute I am just trying to create a nice variety of options fo her to choose from.



Below are a few variations using the circle to hold the typeface, this was mainly to experiment with how the typeface responded to





I also tried experimenting with alternate shapes to hold the I'm, again this was purely a visual experiment.

 as you can see the design above was originated by the reduction of the design below, which was an experiment using 2 circles playing on lens shape and lens focus, which relates to the photography theme.




The design below starts to take away from the I'm concept but visually i think it fits the high quality,traditional style that Isobel was looking for.



Using a thinner weight I was playing around with the designs below which again I thought gave an interesting visual, but again i think overall it takes away from the I'm concept.





Using this thinner serif font again creates a completely different vibe for the logo but the typeface itself is a nice looking serif font so it depends on Isobel's preference to what direction she wants to follow.




This was an option I sent Isobel earlier which she gave the feedback that she really liked it but it just came across as too busy, which I 100% agree with



I have a meeting planned with Isobel on Wednesday to show her these further options, to see if there are any improvements to the last batch of options.

However at the minute there is non of these designs that really stand out to me, so I am not confident in any of them, so I may have to continue with some completely different options, to see if i can get out of this hole I am digging myself into.


Saturday, 22 February 2014

Isobel Moore // Logo Initial idea development





At this stage I have taken away the basic information given to me by Isobel about what she wants out of her logo and visual branding. I have told her that I will go away and come up with a range of about 5 or 6 ideas if possible, to give her a wider variety of choices and hopefully develop a visual brand that we will both be proud of.
 
Below are the options that I chose to digitise to show Isobel in our next meeting, these are the range I have created which I feel would give her a good starting point of deciding what sort of direction she would like to go in.


I will include her feedback and reactions in this post

These are the thicker style of block logo which I enjoy creating and would say is my "typical" style of logo design. However i am very aware that this concept I am suggesting, is probably not what Isobel wants, as the image itself once complete comes across as quite loud, masculine  and powerful, rather than the more delicate style of serif based logo that she originally suggested.



The feedback I receive for this design from Isobel was as expected, it just doesn't suite her style, which I expected but I wanted to show her a few alternate options as well, which she very much appreciated.

I kind of took this brief of a little experiment as well, as this is the irst time i have worked this close with a client to create their professional branding, I wanted to see what approach would be the best in the initial stages of the design phase, therefore I thought it would be a good idea to throw in options which I didn't think she would choose but might help her think a little further out of what she expects, as i didn't really want it to be a situation where I am just used as a mac monkey. I wanted this collaboration to really show each stage of the design process, and I also want my designers opinion to be considered.



  
Again the design below was not really considered as an option.



 The concept below was the main idea that I approached Isobel with, it focuses more on a brand concept than just a logo. By using her initials I thought it would be an interesting opportunity to use I'M photography as a basis for her photography brand.

I got a really positive response back from her about this proposal, so it looks like this is the direction the concept will head, but the visuals are still to be adjusted.


The use of serif typeface was again met with a positive response, but I will go away and create a few alternate options using slightly different layouts and a variety of different serif options.

The use of a circle to border the logo was another element she liked, as she agreed that it relates well to a camera lens

Out of these options I actually prefered this options below, which I think was her least favourite, i thought the fact that using a lower case 'm' works well with the concept, and I prefer the shape of lower case serif M's. I also thought it would have worked quite well on a website or her printed promotional material, but she said that she definitely doesn't want to use lower case letters. 


i was quite confident that she would like the visuals of the design options below, but again having found out that she really doesn't want lower case letters, which I think is a shame because visually it works really well, but it does take away from the 'I'm' concept, but I thought visually that is the style that she would have preferred, but that was not the case.






She also really liked the way her name was written below, but she also wanted her full name used in the logo which is Isobel Moore, instead of Izzie Moore, which may effect the way that the type fits as we will now be gaining an extra letter in the first word so may not work as well, but I shall continue developing this further.


This design below which follows the same layout as one of the earlier examples but with a sans serif font instead, This option below visually was her favorite, so I suggested I will go away and produce a series of variations of this style, trying to use a similar style serif typeface. She commented positively on the thin typeface, and she liked how it fit within the circle.



Sunday, 16 February 2014

Isobel Moore Photography Branding // Initial concepts sketches

After our initial meeting i went away and worked on a few possible ideas for Isobels logo, I produced a wide range of possible outcomes, however many of them were either too iledgible or I just felt they really weren't what Isobel was looking for.

I suggested that perhaps it may be beneficial to try out having her own logo with her name instead of just following the typical photography style of branding, which is clean black and white nicely laid out type. However it will obviously be her photography which is the main element she wants to promote about herself, so having a simple logo that doesn't overpower the photography she is trying to present is essential.



The shape of the two z's could work as a camera flash visual, obviously an improvement of the layout would be needed to make it more legible but I think this would be a good option to take to Izzie. I think this style would also suit her style of photography which is interesting studio based beauty and fashion photography.


The I'M concept is I think the strongest concept I have got on paper, I think it would work really nicely using her Initials to form her brand as more of a message of how she approaches photography.

'I'M Photography' would work on several levels, it obviously is based on her initials and still works as if you were reading it 'Izzie Moore Photography' but it also adds the second message selling herself as a professional photographer who cares deeply about her job and in essence photography is Izzie Moore.  If she chose this concept she would have the opportunity to broaden it as she develops her promotional materials both digitally and printed. For example, she could extend it to her website, 'I'm Fashion photography', 'I'm Make up Photography', 'I'm a studio based photographer' etc...


Variations of the layout of her name were also an area I tried to cover, the shape of the two z's and o's could be a visual basis to work around, and as initially this is the type of thing Izzie wants it may be a good feature to work on.


Friday, 14 February 2014

Isobel Moore // initial visual research

Branded elements Isobel requires 

Logo
Business Card
Post Cards
Possible other printed promo ideas

What ever produced should be able to promote and suit Isobel's end of year final show but should also be appropriate to use for her future professional career.

Isobel mostly focuses on 

Studio Based Photography
Fashion Photography
Beauty Photography
Make Up Photography 
Live Music Photography

She would like an overall feel of versatility with her visual branding.

Isobel presented these visual examples of what kind of ideas she has about her personal branding. 

all the examples supplied are in Sans Serif fonts but she would still prefer a serif typeface, but perhaps laid out in a similar manner to some of the examples below.


She suggests that perhaps She would prefer her logo to just be her name produced in a smart, clean suitable typeface, rather than have a image or shape based logo, however she has given me the creative opportunity to go away and produce a series of different options, as i think it would be benificial to both Isobel and myself if we experimented with different options, so we can both get an understanding of how each of others work and what elements we would be able to utilise throughout this project.













The range of examples that she has given me suggests that she is quite open to different visual styles, which will allow me to be quite free at the initial stage of the design phase.





Isobel Moore Visual branding brief // Brief

Brief 

Isobel Moore, is a current 3rd year photography student at Leeds college of Art.

Your task is to produce a visual identity for Isobel, as well as a series of printed promotional materials which can be featured in the final End of Year Show, such as Business card and post card, flyer these printed promotional materials should aim to represent Isobel’s individual professional interests as well as represent her clearly as her own visual brand.

Isobel focuses mainly on studio based Beauty and fashion Photography, she does a lot of work with make up artists, but she also wants to represent her versatility in the field, highlighting her ability to produce high quality studio product shots


Background

The materials you should aim to produce for this project, should be easily produced in small quantities to large quantities. Be able to be produced at minimal expense.

Feature Isobel’s photography and bring all elements together to create a coherent relationship between the branding and the printed materials.

You will be working closely with Isobel throughout this project to ensure client satisfaction.

Colour can be used in these designs if required, but simple flat subtle colours would be more suited to Isobel’s professional personality.

Isobel’s final major project is based around the theme of Greek Gods and Goddesses, which can be used to influence some areas of the promotional material but mostly the designs produced should aim to work for isobel from the final major show onwards.

Isobel will provide information on how she personally see’s herself as a photographer and what style of existing logo or visuals, she feels, represents her and her photography style.

Isobel wants a type based logo which is simple and clean and mainly featured Serif Typefaces.


Tone of Voice

Serious, clean but very welcoming and friendly.

Target Audience

Prospective clients of Isobel, creatives and non creatives which may need a studio based photographer.

Deliverables

A logo that Isobel can use on all her promotional material as well as a minimum of 2 printed elements to be featured in her End of Year show.

Studio Deadline

End of year show May 2014

Thursday, 13 February 2014

Secret 7" // Concept development

I took my design concepts to a small organised student led crit this morning and received the most positive feedback towards the concept below, it was initially my favoured design but I was worried that the concept would not get portraited.



It was suggested that it would look the best if it was mostly photography based but I may try a few different production options to see what represents the music better.



After live tracing the crystal glass, the vector created is visually really nice, i was worried that I would loose the shape of the crystal but the indents in the glass form shadows which highlight the shape and reinforce the visual message. 

My aim is to keep the colours I use as one solid tone of each, so in reality the design should have a maximum of 3 colours.

The concept revolves around simplicity and space, so keeping a small amount of non intrusive colour to give across the feeling of loneliness


I want to use my own photography for the final piece but for now, I have found this image of a man who looks like he's falling,



The digitized version of this piece was just experimenting with layout and scale of each individual element, obviously this being Secret 7" then the title of the artist and the single will not be included on the actual cover

These are the 3 options I have produced in relation to the colour options, the darker option with the navy, is there to reinforce the darkness and loneliness of my concept, but it comes across a bit intrusive, against the white/ grey of the crystal.


The 2 options below create a much clearer and impressive layout which really highlight the white clear space around the visual elements. but the option of having a border of blank background.


I took this to get the opinion of some studio peers, and it was suggested that I keep the background blank, as this really gives the impression that this glass is sat in endless space, and the figure is completely helpless while falling through space.



Saturday, 8 February 2014

Secret 7" // Elbow - 'Grounds for divorce' initial ideas and concept development

Elbow - 'Grounds for Divorce'

Mondays is for drinking to the seldom seen kid
I've been working on a cocktail called "Grounds For Divorce", whoa
Polishing a compass that I hold in my sleep, whoa
Doubt comes in on sticks, but then he kicks like a horse, whoa
There's a Chinese cigarette case and the rest you can keep
And the rest you can keep
And the rest you can keep

There's a hole in my neighborhood
Down which of late I cannot help but fall

There's a hole in my neighborhood
Down which of late I cannot help but fall

Mondays is for drinking to the seldom seen kid
(Ooh, ooh)

There's this whispering of jokers doing "Flesh by the Pound"
To a chorus of supposes from the little town whores
There'll be twisted karaoke at the Aniseed Lounge
And I'd bring you further roses but it does you no good
And it does me no good
And it does you no good

There's a hole in my neighborhood
Down which of late I cannot help but fall
There's a hole in my neighborhood
Down which of late I cannot help but fall
There's a hole in my neighborhood
Down which of late I cannot help but fall

Someday we'll be drinking with the seldom seen kid
(Ooh, ooh)


Initial Ideas

The main impression I have got through studying this song over the past cople of hours is it's quite helpless and dark undertone which is brought through by the lyrics. 

The song itself is upbeat but with quite rough and heavy guitar riffs throughout but the lyrics seem to take you through the messy journey of his divorce. The main theme of the song revolves around his drinking and how in turn this has effected his marriage and home life.

The lyrics 'There's a hole in my neighborhood, Down which of late I cannot help but fall' highlight his inability to control his drinking and how this is ultimately destroying his marriage and in turn how he is drinking because his marriage is failing, 



From a visual point of view I believe some form of imagery involving  his helplessness towards alcohol which also highlights his loneliness and lack of control would be the best way of visually representing this track.

a single simplicstic option involving, a whiskey glass and a figure falling into it. This could represent the glass as the 'hole' that he 'cannot help but fall'. By just featuring these visuals on a plain / coloured background it should keep the focus on these elements while also highlighting the loneliness of the song.


Using a tiled whiskey glass at different levels of fullness was an aim to represent the daily journey of the character. It would be presented as more of a tiled pattern,  with the final glass being empty showing the completion of his day and the fact wit will just start all over again tomorrow.


This idea would be more photography based. it would feature a blurred image of an empty room, with nothing in it but a table with a glass of whiskey sat on it. the glass would be the only thing on the cover that would be in focus, the rest of the photo will clearly be an empty room but out of focus enough to give the message that the drink is the only thing that makes sense in his lie at the minute, as well as the underlying message of him being sat in an empty flat drinking away his sorrows.


The design on the right follows the same concept as the idea above but the layout of the photograph would be different, with the glass being centered and placed on the top, perhaps the blurred photo would be digitally printed but the glass would be a screen printed vector?